Hohl Trillini, R. (2020) ‘“Dreadful Insanity”: Jane Austen and musical performance’, in Delia Gwendolen Da Sousa Correa (ed.) Edinburgh Companion to Word and Music Studies. Edinburgh: Edinburgh University Press, pp. 320-325.   
Hohl Trillini, R. (2019) ‘Review of Fazel, Valerie M., and Louise Geddes (eds.), The Shakespeare User. Critical and Creative Appropriations in a Networked Culture (Palgrave Macmillan, 2017).’, Shakespeare-Jahrbuch. Verlag Ferdinand Kamp, 155, pp. 272-273.   edoc
Hohl Trillini, R. (2019) ‘The Spakespeare User. Critical and Creative Appropriations in a Networked Culture’, Shakespeare-Jahrbuch. Edited by S. Schülting. Kröner, 155: Flucht, Exil, Migration, pp. 272-273.   
Hohl Trillini, R., Engler, B. and O’Neill, S. (2018) ‘Digital Technology and the Future of Reception History ’, in Maxwell, J. and Rumbold, K. (eds) Shakespeare and Quotation. Cambridge: Cambridge University Press, pp. 275-294.   edoc
Hohl Trillini, R. (2018) Casual Shakespeare: Three Centuries of Verbal Echoes. New York and London: Routledge (Routledge Studies in Shakespeare, 30).   edoc
Hohl Trillini, R. (2015) ‘[Review of] Leslie C. Dunn and Katherine R. Larson, eds. Gender and Song in Early Modern England. (Ashgate, Farnham and Burlington, Vt., 2014’, Music and letters. Oxford University Press, pp. 462-464. doi: 10.1093/ml/gcv061.   edoc
Hohl Trillini, R. (2014) ‘Hamlet-Zitate in der englischen Sprache und Literatur’, in Marx, P. (ed.) Hamlet-Handbuch. Tübingen: Metzler, pp. 529-532.   edoc
Hohl Trillini, R. (2014) ‘“Hamlet in der Kriminalliteratur”’, in Marx, P. (ed.) Hamlet-Handbuch. Tübingen: Metzler, pp. 520-525.   edoc
Hohl Trillini, R. (2012) ‘Review of “Erin Minear: Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation”’, Renaissance Quarterly. University of Chicago Press, pp. 1356-1357. doi: 10.1086/669466.   edoc
Hohl Trillini, R. (2012) ‘Review of “Wolfgang Mieder. Sein oder Nichtsein. Kulturelle Motivstudien"’, Yearbook of Phraseology. De Gruyter Mouton, pp. 153-155.   edoc
Hohl Trillini, R. (2012) ‘Hamlet’s soliloquy: An eighteenth-century genre ’, Borrowers and Lenders. University of Georgia, 7(1), pp. 1-24.   edoc
Hohl Trillini, R. (2011) ‘2B or not 2B: Hamlet lebt weiter’, Alumni Magazine der Universität Basel, p. 12.   edoc | Open Access
Hohl Trillini, R. (2011) ‘Don’t worry, be trendy : Shakespeares Rezeption als ermutigender Modellfall’, in Anglistentag 2010 Saarbrücken : proceedings. Trier: Wissenschaftlicher Verlag (Proceedings of the Conference of the German Association of University teachers of English), pp. 19-24.   edoc
Trillini, R. H. and Quassdorf, S. (2010) ‘A ’key to all quotations’? A corpus-based parameter model of intertextuality’, Linguistic and Literary Computing. Oxford Univ. Press, 25(3), pp. 269-286. doi: 10.1093/llc/fqq003.   edoc | Open Access
Hohl Trillini, R. and Langlotz, A. (2009) ‘The Grammar of “To Be Or Not To Be”’, in Phraseologie disziplinär und interdisziplinär. Tübingen: Günter Narr, pp. 155-166.   edoc
Hohl Trillini, R. (2009) ‘Like perfect music unto noble words" : Gender metaphors in Victorian poetry ’, in Neumeier, B. (ed.) Dichotonies. Gender and Music. Heidelberg: Universitätsverlag Winter (American studies), pp. 147-162.   edoc
Hohl Trillini, R. (2009) ‘Hamlet and textual re-production 1550-1650 ’, in Ghose, I. and Renevey , D. (eds) The Construction of Textual Identity in Medieval and Early Modern Literature. Tübingen: Günter Narr (Spell), pp. 163-176.   edoc | Open Access
Bezzola Lambert, L., Ochsner, A., Jermann, J., Hohl Trillini, R. and Marti, M. (eds) (2009) Moment to Monument : The Making and Unmaking of Cultural Significance. Bielefeld: Transcript (Cultural studies (Transcript), Vol. 32). Available at:   edoc
Hohl Trillini, R. and Quaßdorf, S. (2008) ‘Quotations and their co(n)texts : Corpus-based insights into discoursing with Hamlet’, in Variability and change in language and discourse. Strasbourg: Univ. des sciences humaines (Ranam), pp. 141-155.   edoc | Open Access
Hohl Trillini, R. (2008) The Gaze of the Listener : English Representations of Domestic Music-Making. Amsterdam: Rodopi (Word and music studies, 10).   edoc
Hohl Trillini, R. (2008) ‘The gaze of the listener : Shakespeare’s sonnet 128 and early modern discourses of music and gender’, Music and letters, 89, no. 1, pp. 1-17.   edoc
Hohl Trillini, R. (2007) ‘Tom, Dick and . Jack in the OED and in Sonnet 128’, Shakespeare-Jahrbuch. Verlag Ferdinand Kamp, 143, pp. 177-179.   edoc | Open Access
Hohl Trillini, R. (2006) ‘Der Zuhörer ist ganz Auge’.   edoc | Open Access
Hohl Trillini, R. (2006) ‘The Dear Dead Past : the Piano in 19th-Century Poetry’, in Da Sousa Correa, D. G. (ed.) Phrase and subject : Studies in Literature and Music . London: Legenda, pp. 112-124.   edoc | Open Access
Hohl Trillini, R. (2006) ‘HyperHamlet©: Making a Corpus Out of the Literature Online Corpus’. [S.l.]: Literature Online Database. Available at:   edoc
Hohl Trillini, R. (2005) ‘Hamlet und die Folgen’.   edoc | Open Access
Hohl Trillini, R. (2004) The gaze of the listener : representations of domestic music-making in English literature 1550-1918. doi: 10.5451/unibas-007095177.   edoc | Open Access
Engler, B., Hohl Trillini, R. and Quaßdorf, S. (2003) ‘HyperHamlet’. Basel: Universität Basel. Available at:   edoc
Hohl Trillini, R. (2001) ‘[Rezension von] Phyllis Weliver: Woman Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home’, The George Eliot review, pp. 91-92.   edoc
Hohl Trillini, R. (1997) Polyphonie, Intertextualität und problematisiertes Erzählen bei Raabe und Grimmelshausen.   edoc | Open Access
Hohl Trillini, R. (1997) ‘Stimmengewirr aus schwierigen Zeiten: Erzählen über schlimme Frauen bei Raabe und Grimmelshausen ’, Jahrbuch der Raabe-Gesellschaft. Niemeyer, 38, pp. 123-146.   edoc | Open Access
Hohl Trillini, R., Quaßdorf, S., Engler, B., Häcki Buhofer, A. and Roth, T. ‘HyperHamlet. Corpus of references to and quotations from Shakespeare’s Hamlet’. Basel: Universität Basel. Available at:   edoc